In a free for all art of today, William Rusedski manages to carve a personal, original way to interrogate, without filtering devices, matter as well as subjects through movement and a strong sense of energy. He has a great facility and a natural talent in handling various medium of expression and elaborating a great number of art works.

It is clear that man is becoming more and more insensitive to static images, that are often without vitality. The contemporary man grew out of the necessity of action within a constant dynamism. The aesthetic in motion overruns the fixed aesthetic of static forms. The today materialistic conscience requires artistic images coming directly from the individual, from the subconscious, as reason itself does not create. An art emerging from the subconscious, equilibrated by reason instead, constitutes an authentic expression of the being and a synthesis of an historical moment .

The great discovery of contemporary art is freedom. This freedom brings the artist to the limit of himself, without restrictions. Therefore, in front of Rusedski’s work we might sense the impossibility of denomination. From his small drawings to his huge paintings we discover a great repertoire of new forms, inventions and explorations evolving progressively from the small to the very big, through great variation and strength. While changing medium, Rusedski’s world is gradually modified towards more complex inventions. The colors and the reliefs of the matter are immediately recovered from any possible accident and worked out to further dramatize the image in to the most plastic form of the painter’s imagination.

GIANGUIDO FUCITO, ART CRITIC